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ughhhhh i really need to post here more often and delete all of my old art i'm sorry

likeafieldmouse:

Brett Amory - Dark Light (2011)

2 weeks ago 1,809 notes reblog VIA SOURCE

i’m probably gonna delete this but this was almost a year ago now and it was one of the last things i sculpted i’m so sad

2 weeks ago 1 note reblog

why are htese coming out so big??? i dont’ like that

also i’m gonna delete this later but whatevs have fun guys

(they’re supposed to be slugs btw but all their little antennas fell off)

8 months ago reblog

uhhhh i made this clay fawn the other day and people seemed to like it?? i dont’ know, i just never post here anymore so here you go

10 months ago 62 notes reblog

sosuperawesome:

Adara Sánchez Anguiano, on Tumblr

11 months ago 24,153 notes reblog VIA SOURCE

likeafieldmouse:

Katy Shayne - Nana’s House (2013)

11 months ago 662 notes reblog VIA SOURCE

artmonia:

Grokin

11 months ago 397 notes reblog VIA SOURCE

i hate ellipses and i hate still lives please just kill me now

11 months ago reblog
# me

really quick knees sketch from the same life drawing

12 months ago 1 note reblog

life drawings, just done in my sketchbook

12 months ago 1 note reblog

uhhh more sketchbook stuff but with more duct tape

12 months ago 3 notes reblog

uhhh gesture drawings and stuff from my sketchbook i just took somethings out on photoshop though

oh yeah and sorry that you can see through to the other side of the pages

12 months ago 5 notes reblog

why won’t my background image repeat???? :(

12 months ago reblog

somewhatreal:

Silvestro Lega

The Dying Mazzini (Mazzini morente). Oil on canvas, 76.5 x 100.3 cm. 1873.

1 year ago 26 notes reblog VIA SOURCE

artruby:

Philip-Lorca diCorcia’s Hustlers series (1990–1992), on view at the David Zwirner Gallery

Taken just over twenty years ago in Los Angeles in the vicinity of Santa Monica Boulevard, Hustlers is considered to be one of diCorcia’s best-known series. It features male prostitutes posing for the camera for a fee loosely equivalent to what they would charge for their sexual services. DiCorcia paid the subjects with grant money awarded to him by the National Endowment for the Arts.

1 year ago 364 notes reblog VIA SOURCE